“Director Moshe Henderson utilized the levels within the space very effectively to demonstrate power dynamics, and I loved the bold lighting choices. It felt like Henderson actively incorporated as many storytelling elements as possible in this show, which was helpful, given the audio problems.”
“The staging was simple and effective, with a single tree on the stage as the only major set piece. Spring Awakening is a perfect show for a black box theatre (12th Avenue Arts), allowing you to easily get involved in the play’s intimate themes. A handful of chairs move around from the front of the audience to the stage, serving as set pieces for classroom, home and outdoor scenes, seamless enough to never distract from the story.”
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“Wisely sticking to the staging and design of the original Broadway production, this Spring Awakening does manage to put its own mark on the material with some clever staging and choreography choices by director Moshe Henderson and choreographer Elizabeth Posluns.”
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“Kudos to Moshe Henderson for snappy staging and direction which communicated the reflective thoughts of the characters while allowing the audience to visually see the movement from the inner personal worlds of the characters to the outer world where they interact with each other. I have seldom seen movable staircases used as effectively as I have in this production.”
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“This production had the advantage of many of our cast members being new to each other or having known very little about the others; I think this allowed for an honest discovery among the actors with very few pre-conceived notions. Also, because this is a new company there is this drive to see this show do well and this definitely reflected in the cast and crew’s work ethic.”
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