Theatre Critic Reviews

Critical reception of Moshe’s directing, acting, and designing.

The 14/48 Projects Enliven Children’s Show ‘When You Wish Upon A Pizza’

“The colorful set by Shawn Belyea and Moshe Henderson and bright costume design by Corinne Magin bring this aesthetic to life with charming detail. The play is certainly produced with effort and attention by the company, elevating its source material with a level of care that was certainly unexpected.”

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BWW Review: Effortful Spring Awakening at 12th Ave Arts Suffers from Technical Difficulties

“Director Moshe Henderson utilized the levels within the space very effectively to demonstrate power dynamics, and I loved the bold lighting choices. It felt like Henderson actively incorporated as many storytelling elements as possible in this show, which was helpful, given the audio problems.”

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Basement Theatrics’ Spring Awakening: Stormy with a Chance of Clear Skies

“The staging was simple and effective, with a single tree on the stage as the only major set piece. Spring Awakening is a perfect show for a black box theatre (12th Avenue Arts), allowing you to easily get involved in the play’s intimate themes. A handful of chairs move around from the front of the audience to the stage, serving as set pieces for classroom, home and outdoor scenes, seamless enough to never distract from the story.”

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Washington State Mr. Leather 2014 Erik Taylor’s Rave Review

“Kudos to Moshe Henderson for snappy staging and direction which communicated the reflective thoughts of the characters while allowing the audience to visually see the movement from the inner personal worlds of the characters to the outer world where they interact with each other. I have seldom seen movable staircases used as effectively as I have in this production.”

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Hi­-Liners celebrate 20 years of MainStage with the opening of 42nd Street musical at the PAC

“With a full orchestra, lights and multi-story sets, students delivered a beautiful and energetic adaptation of the famous film. With scenes ranging from one or two cast members connecting with the audience to scenes with over 20 dancers in choreographed ensemble, even in dress rehearsal, performers in the Hi-Liners’ 42nd Street demonstrated a dedication to delivering a quality production.”

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